Reels to Pixels: Exploring the Role of Media Technologies in the Evolution of Bollywood’s Digital Transformation
DOI:
https://doi.org/10.1229/tecempresarialjournal.v19i1.430Keywords:
Bollywood, Digital Realm, Media Technologies, Digital Cinematography, CGI, Streaming Platforms, Social-Media, Piracy, Resilience.Abstract
Bollywood, the vibrant center of Indian cinema, expertly blends the charm of storytelling with state-of-the-art technology to produce magnificent spectacles that amaze viewers. Bollywood uses technology to push the frontiers of creativity and improve the cinematic experience, from cutting-edge visual effects to immersive sound design. This comprehensive analysis scrutinizes Bollywood’s profound metamorphosis in the digital realm, exploring the infusion of advanced media technologies and its consequential impact on filmmaking. The transition from traditional cinematic practices to digital cinematography, employing high-definition cameras and sophisticated post-production techniques, empowers filmmakers to construct narratives of unparalleled visual richness. Integration of CGI and visual effects broadens creative horizons, transcending traditional filmmaking boundaries. Streaming platforms, led by industry giants like Netflix and Amazon Prime, play a pivotal role in global content distribution. At the same time, social media shapes marketing strategies and public perception of Bollywood stars. Despite challenges such as piracy and content saturation, the industry displays resilience. Future outlooks anticipate continued technological innovations, emphasizing the need to address digital security concerns and maintain quality control. Collaborations with global talent enrich cross-cultural narratives and bolster Bollywood’s international presence. This exploration positions Bollywood as a leader in the dynamic digital revolution, prioritizing innovation, adaptability, and creative excellence in the evolving cinematic landscape.
References
M. Shekhar, "90 years of Alam Ara: Why no one today has watched Indian cinema’s first talkie," Indian Express, New Delhi, 2021.
S. Abraham, Eavesdropping on the Freedom of Expression in India, Budapest, Hungary: Central European University Press, 2015.
A. U. Adamu, Transcultural Language Intimacies: The Linguistic Domestication of Indian Films in the Hausa Language, NJ 07030, USA: John Wiley & Sons, Inc, 2018.
Z. Aafaq, "WE MAY HAVE TO SHUT DOWN PERMANENTLY: ONLINE MEDIA IN KASHMIR HAS COME TO A GRINDING HALT," The Polis Project, Kashmir, India, 2019.
N. Adajania, New Media Overtures Before New Media Practice in India, Marg, 2009.
K. Bamzai, "Bollywood’s Worst Season. India Today (Cover Story)," India Today, New Delhi, 2009.
l. Bayman, "The Sorrow and the Piety: Melodrama Rethought in Postwar Italian Cinema," in Melodrama Unbound, New York Chichester, Columbia University Press, 2018, pp. 273-288.
T. Bergfelder, S. Harris and S. Street, Film Architecture and the TransnationalImagination Set Design in 1930s European Cinema, Amsterdam: Amsterdam University Press, 2007.
I. Bhaskar, Emotion, Subjectivity, and the Limits of Desire: Melodrama and Modernity in Bombay Cinema, India: Illinois Scholarship Online, 2012.
E. N, THE SUCCESSFUL APPLICATION OF AUGMENTED REALITY AND ITS IMPACT ON SELF-PRESENCE: AUGMENTED REALITY USAGE IN SNAPCHAT AND ITS IMPACT ON CONSUMERS, Tikm, 2023.
S. Pattanayak and M. Bishnoi, "Monitoring False Colour in an External Monitor for Film and Television Production: An Evaluative Study," in International Conference on Recent Innovations in Computing, Singapore, 2023.
M. DeLanda, Intensive Science and Virtual Philosophy, New York: Bloomsbury Publishing Inc, 2013.
E. Dinur, The Filmmaker's Guide to Visual Effects: The Art and Technique of VFX for Directors, Producers, Editors and Cinematographers, USA: Routledge, 2017.
A. Gehlawat and R. Dudrah, "The evolution of song and dance in Hindi cinema," South Asian Popular Culture, pp. 103-108, 2017.
"A billion screens of opportunity," FICCI Ernst & Young, New Delhi, 2019.
J. Fleeger, Mismatched Women: The Siren's Song Through the Machine, Oxford University Press, 2014.
G. Fossati, From Grain to Pixel, Amsterdam: Amsterdam University Press, 2018.
J. Masand, "The impact of streaming services on traditional TV and the future of the industry," Times of India, Mumbai, 2023.
S. Velayutha and V. Devadas, Tamil Cinema in the Twenty-First Century Caste, Gender and Technology, Oxon: Routledge, 2021.
K. C. Hardy, "Constituting a Diffuse Region: Cartographies of Mass-mediated Bhojpuri Belonging," BioScope: South Asian Screen Studies, 2015.
A. Helmond, D. Nieborg and F. N, "Facebook’s evolution: development of a platform-as-infrastructure," Internet Histories Digital Technology, Culture and Society, pp. 123-146, 2019.
K. Hetherington, Introduction: Keywords of the Anthropocene, Durham: Duke University Press, 2019.
J. Shah, "Raees to Sultan: Why filmmakers are promoting movies online," Hindustan Times, Mumbai, 2016.
A. Kapse, "Melodrama as Method," Framework: The Journal of Cinema and Media , 2013.
A. Kapse, "Shanta Apte and the unexpected," in Indian Film Stars: New Critical Perspectives, New York, Bloomsbury Publishing Plc, 2020, pp. 15-29.
S. Bharti and D. Redhu, "Film Promotions on Social Media and the Audience Perception: An Analytical Study," Neuro Quantology, pp. 888-904, 2022.
A. Kumar, "E-MARKETING OF BOLLYWOOD MOVIES (A CASE STUDY OF MOVIES WITH NET EARNING ABOVE INR 100 CRORE)," Vivekananda Journal of Research, 2013.
V. Narang, "Recent trends of Promotion Strategies in Bollywood," International Journal of Economic and Business review, pp. 169-171, 2015.
S. Pattanayak, S. U. Khan, F. Malik and V. Shukla, "Exploring The Role of Instagram in Bollywood Film Promotion," in 2023 International Conference on Computational Intelligence and Knowledge Economy (ICCIKE), Dubai, 2023.
P. Arya, "Here's how a fan made Ayushmann Khurrana's flight journey memorable," India Today, MUMBAI, 2023.
E. W. desk, "Dangal movie social media and audience reaction: Aamir Khan, his Dangal daughters make people emotional," Indian Express, New Delhi, 2016.
J. Pilai and M. Verma, "Grammar of VR Storytelling: Analysis of Perceptual Cues in VR Cinema," in Proceedings of the 16th ACM SIGGRAPH European Conference on Visual Media Production, New York, 2019.
E. L. Davids, "The Evolution of Film Genres: A Comparative Analysis of Hollywood and Bollywood," Art and Society, pp. 15-34, 2023.
P. Mirowski and e. al., "Co-Writing Screenplays and Theatre Scripts with Language Models: Evaluation by Industry Professionals," in CHI '23: Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems, Hamburg Germany, 2023.
X. Fang and e. al., "A systematic review of artificial intelligence technologies used for story writing," Education and Information Technologies, pp. 14361-14397, 2023.
F.-T. Leow and e. al., "Analysing narrative engagement with immersive environments: designing audience-centric experiences for cultural heritage learning," Museum Management and Curatorship, pp. 342-361, 2021.
R. Kaushik, "From Passive to Active Spectators: Understanding the Transformation of Audience Engagement in the Performing Art," Eduzone: International Peer Reviewed/Refereed Multidisciplinary Journal, pp. 57-63, 2020.
S. P. Sahni and I. Gupta, "Digital Piracy: A Multidimensional Perspective," Piracy in the Digital Era Psychosocial, Criminological and Cultural Factors, pp. 1-20, 2019.
K. Qian and S. Jain, "Digital Content Creation: An Analysis of the Impact of Recommendation Systems," Articles In Advance, 2024.
G. Harris, "An Indian Appetizer, Subtly Spiced," The New York Times Company, New York, 2014.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Tec Empresarial

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.